"He is Mr. Naum, a distinguished poet, I am certain you have heard of him…"

Résumé

My present study problematizes the postural variables in the writings of Gellu Naum, in an attempt to demonstrate that all his poetic texts are based on recursive enunciation schemata, rules of coding and thematic structures. The first person is the linguistic dimension where the poetic possible worlds are created and structured. The textual metamorphoses of “I” and the Other modulate all Surrealist practices; their multiple symbolic staging, followed along Naum’s poetic oeuvre, are emblematized by Zenobia, the (meta)/ (inter)poetic narrative.